Copenhagen Fashion Week opened with dinner at the Nikolaj Art Gallery – a former church dating from the 13th century. This season, he played host not only for the opening dinner, but also for several appearances, panels and brand activations, including one from Instamax. This first night in the church put the tone for the week in more ways than one. The main lesson was pasta from regenerated bread – created by the use of old -fashioned or left -wing breads – a nod for the commitment of the Council for sustainability, bringing a deeper symbol of the Community act to break the bread. This sense of unity continued through showgoers, who brought an energy that was impossible to lose.
Each show drew its own willing crowd. To Litmusheld in the courtyard of their office, a burned car sat on a square platform where the models woven around. Outside, the crowd pushed so tightly it was almost impossible to see the clothes – which, in theory, defeat the purpose of a fashion show. But here, the draw was so much for soaking in the atmosphere and to detect a firefighter jacket or abruptly adapted, strong suit. In Marimekko, which was organized outdoors with only one thin rope marking the perimeter, the crowd was just as vibrant – phones outside and ready to catch every moment.
Copenhagen as a fashion week may feel like the strange kid outside. It lands about four weeks before the marathon, which is fashion, which begins on September 11 with NYFW – a little early to determine the general issues. Few appeared, though if they transfer to the rest of the season, it remains to see.
For me, the word trend It doesn’t summarize enough in the week. Yes, there were repeated details-like the summer shoe, the flip flops were Cmmn swdn; Deadwoodand mostly Opera sportwhich sent not only normal Havaianas but also three -dimensional versions that looked like they had moved away from another dimension.
In general, the week felt defined by the brands that lean on what they do best. Cecilie bahnsen It celebrated its 10 -year anniversary with a demonstration in a plane shed, where the models fell under the corridor in white, cloud dresses as if they were going to take a flight. Nikl Skavgard He continued his journey in the 1980s-scalled silhouettes that hit the perfect balance between theatrical and weapons. These were pieces you wanted to have – not because they were aligned with a trend, but because it looked irresistibly cool. Think of a airy, massive Cecilie Bahnsen number, a red skall coat or Sunflower firefighter jacket.
Again, the primary trends were not exactly easy to identify. Although some big issues have felt important and can gain dynamic as we move through the rest of the fashion month. Among the standouts: Paper Style for the Day, chemically inspired dresses that go beyond the countryside and perhaps more exciting, a modern repetition of the 80s elements that felt decisively innovative.
But buyers’ moments were not limited to the hallway. Outside the shows, the style of the street was just as a day’s eyes. Much has been written about Scandi Girl’s aesthetics and women’s ability to look both loose and turmoil, which Copenhagen again proved to be. Styling pushes like a pop orange to illuminate a look or unexpected finishes, as with a skull lid, immediately felt attractive and feasible.
From the corridor on the streets, I let the week feel inspired – and of course, in one case of buyers. In front, the collapse of the top fashion, along with a processing that is worth adding to your cart to channel the best of Copenhagen.
In the hallway and the roads: Flip-Flops
The summer shoe goes nowhere. In the hallway, flip flops brought ease to a lifted look. On the streets, they gave an unsatisfactory to showgoers’ clothing – your most effortless finish with slip dresses, linen pants and beyond.
On the streets: skull caps
What balaclades and lids were for the winter, the skull lids are to open in the summer. This compact accessories have made a significant impact, which appears daily on CPHFW and the supply looks a special final touch.
In the corridors: Shepherd dresses
The designers bent in loose chemical style dresses that caused a European sensitivity to the countryside (the dream of wandering through a lilac field). Less Tiktok Milkmaid, more vintage cotton nightgown you would stumble in a vintage store. Thin, nostalgic and amazing costumes.
In the corridors: Cotton Poplin Pjs
Designers gave the day’s credibility for the day, combining them with bombardment jackets and structured exterior clothing for the road ready on the road. The key to pulling it? Hugging the art of set that fit or coordinate the needs of cotton, then ending with sports trainers or elegant loafers to have vibe and keep it from feeling very valuable.
In the corridors: plans affected by the 80s
The influence of the 1970s gives way to the excesses of the 1980s. Bold, sometimes collisions prints, electric colors and sculpture shoulder pillows appeared in the corridors-they were disseminated in fresh, donated, which made the most over-the-top elements of the decade feel exciting again.
On the streets: Polka Dots
The playful pattern that reappears after the season arrived on the streets of Copenhagen, where showgoers embraced it for an additional dose of imagination. From statement dresses to playful accessories, Polka Dots have shown that they are still loved by those who want to hit a uniform.
In the corridors: firefighter jacket
At first glance, this shape of outer clothing remembers the barn -type jackets we have seen in recent times. But it is the closure of the metal clasp that gives the firefighter jacket his discreet, homonymous appeal. Prepare for many repetitions to start appearing in new arrivals.
On the way: Pops of Orange
For a few times, the red boats were the pronunciation of injection of the drama into an outfit. This time, Orange got the focus. Either as a small detail – such as a shoe to illuminate a neutral look – or a blouse to rejuvenate a whole set, this color tendency added energy and vibration to the street style of the week.
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